By Anton
Johnson
THIS SUMMER the Barbican is
holding the first exhibition of Bauhaus in London
for over 40 years. The Bauhaus school was founded in Germany
in 1919 on Socialist-Utopian ideas and the Arts & Crafts movement – to
bring art and technology together. The first school was based in Weimar
then moving to Dessau to a purpose-built
facility in 1925.
Bauhaus saw
play and fun as a starting point for creativity with a collective approach. The
school had for that time a very progressive admissions policy, with women being
allowed equal entry and in the mid-1920’s the majority of students were under
30 years of age.
Bauhaus
covered all forms and mediums – cloth, metal, wood, sculpture, design,
photography and performance art such as the famous Triadische Ballet.
The school had
a socialist bent and there was a parallel with the Vkhutemas Workshop in the USSR.
The school had a communist student cell and its second director from 1928–1930
was the Swiss architect Hannes Meyer who was a member of the German Communist
Party.
Meyer
undertook the largest Bauhaus commission, which was to design the school for
the Federation of German Trade Unions (ADGB) in 1930. Though Meyer, because of
his political beliefs, was often overlooked as a Director of Bauhaus by
historians when compared to the other two, his contribution was fully acknowledged
in the German Democratic Republic in the 1970s.
The school attracted hostility from the
right-wing. The Nazis did not approve of the Bauhaus movement, which they
dismissed as “degenerate art”. When the Dessau
local government fell to the Nazis, the school had to move to Berlin.
In an attempt to survive in the changing political climate of the time, the
school adopted a non-political outlook, which took away the ideals of the
movement.
But was not
enough for the Nazis and in 1933 the Gestapo raided the building, resulting in
the closure for ever of the Bauhaus school. Many of the Bauhaus masters went
abroad and set up new design schools such as in Chicago.
That dispersal, following the Nazi closure of the school in Berlin,
was to spread the influence of Bauhaus throughout the world.
Bauhaus was an
art for life – it brought simplicity and utilitarianism to design; a design
that was to last – for those who went to school in the 1950s to 1970s will
recognise the Bauhaus chair used in schools. The nesting tables that became
popular in the living rooms of the 1970s were a Bauhaus design. The
architecture style was to last and influence.
Bauhaus gave a
view of modern urban living, with communal design living for the then growing
numbers of single urban dwellers and the housing estate, modelled on ideas from
the USSR by Meyer, which were a format for the British “Garden Cities”. The
Bauhaus gave designs for production and showed a way forward for modern living
that if revisited today may provide answers to many of the issues we face, such
as housing.
Bauhaus has
something to offer today, behind the adoption of its design for fashion and by
the wealthy, the Bauhaus movement had fundamental ideas that can be looked at
by communists today for ideas and practical solutions.
The full range of the Bauhaus creativity is on
display from children’s toys to furniture and is to be recommended.
Bauhaus: Art as Life runs at the
Barbican until 12th August. The Barbican Art Gallery is
part of the Barbican Centre, Silk
Street, London EC2Y
8DS and admission is £10 (when
purchased online in advance) or £12 on the door; concessions £6-£8; under-13s
free. The gallery is open daily from 11am to 8pm (6 pm on Wednesday) with a late showing until
10pm on Thursday.