By Theo Russell
A Letter from Venezuela was screened
at the Bolívar Hall in London last week. It is an inspiring film which shows
that, despite systematic sabotage and violence, the support for Maduro and the Bolivarian
revolution is a mass phenomenon, and full of energy and determination.
The soon-to-released film was directed by
Carolina Graterol, who lives in London and who visited Venezuela after several
years away when her sister died of malaria.
She travelled all over the country,
filming the ordinary people of the cities and countryside. One of the most
interesting aspects is hearing many Venezuelans describing not only the
problems they face but how they are overcoming them.
An example of the mass support is a
spontaneous 150 mile peasant march to Caracas, simply to show their support for
Nicolás Maduro, with chants of “Let’s Go, Nico!”.
It won’t surprise our readers to hear that
everything reported in the British media about Venezuela is false. Shortages of
certain foods and products have been deliberately created but there was
absolutely no sign in the film of “starvation”.
People, especially the young, are going
abroad, but this is for economic reasons, lack of jobs and the pressures of
life in Venezuela.
In the 20 years since Hugo Chavez came to
power, the USA has used in Venezuela many of the tactics against Allende’s
Chile.
The extreme opposition violence includes
horrific scenes of setting Maduro supporters on fire, the bombing of police,
kidnappings, and the ‘Guarimbas’ – opposition roadblocks using tyre spikes,
burning tyres and tripwires.
Activists point out the similarities of
these tactics with those recently seen in Nicaragua and the 2014 Ukraine coup,
where in both cases puppet groups were trained by the USA in sophisticated
street-fighting methods.
Historically Venezuela has been one of
Latin America’s most racially and economically divided countries. Whilst the
population is far more racially mixed then other Latin America countries, over
99 per cent of the rich elite are white Europeans.
One activist describes “a regrowth of
fascism” and says that pro-opposition doctors have waged a campaign to
deliberately sterilise poor women.
The US-led economic war on Venezuela is on
a massive scale. Ships from Britain, the USA, Germany and Italy have joined the
trade blockade. After the death of Hugo Chavez in 2013 western countries began
a campaign of disinvestment and risk agencies have pushed interest rates on
loans to Venezuela to 50 per cent.
There is constant sabotage of food,
electricity, gas, water and medical supplies, either physical or cyber, and
massive hoarding by private businesses to inflate prices.
Leaked reports on ‘Operation Venezuela
Freedom 2’, drawn up in 2017 by US Southern Command in Panama, describe plans
to “siege and suffocate”, portray Venezuela as “close to collapse/imploding”,
and to link Maduro’s government to corruption and money laundering.
The plan shows preparations for rapid
military intervention from US bases in Panama, Honduras, the Caribbean islands
of Aruba and Curaçao, and six bases in neighbouring Colombia.
But the film also shows how Venezuelans
are resisting the sabotage, and the huge advances for the poor, the indigenous
peoples and the disabled since 1999. A disabled citizen describes how rights
for disabled people in the new constitution are a model for the rest of Latin
America.
There has been huge investment in
education; and 2.5 million new houses have been built since 2015. Staple foods
are sold at government prices and monthly food boxes sent to poor families.
We see the determination of Venezuelans to
overcome the sabotage and shortages with new, self-reliant forms of production,
abandoned factories expropriated, and equipment and parts being repairing or
reverse engineered.
The energy and enthusiasm of the
Venezuelan masses for Chavismo, and their music and songs, are contrasted with
the weakness of the openly divided opposition.
As one activist says: “The dictatorship we
have is that of the media. We have no dictatorship here!”
And another puts the struggle in context,
saying: “Fighting imperialism is long-winded but they cannot defeat us.”
The message of this film is a positive
one: whatever the USA tries, it cannot defeat the Bolivarian revolution.
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